This 1911 burlesque comedy staged scatter-brained Tweedledum. Anti-conformist and sometimes provocative, this funny character emulated inventiveness to harm the new technologies of the beginning of the century.

It was Marcel Fabre, from his real name Marcel Perez, a Spanish comedian, who put Robinet's costume on for the first time in 1910. This comedian with a number of stage names came from the school of the circus where he started his career in the persona of an acrobatic clown.

From the first opus, Robinet ha il sonno duro, his character became a comic reference and the actor immediately experienced fame in Italy. At the end of the golden age of Latin cinema in 1915, he crossed the Atlantic and continued his career in the United States of America where he imported his character that became Tweedledum.

The creation of Tweedledum was the wish of Arturo Ambrosio, producer and founder of the Ambrosio Studios. While Italian silent film was at its pinnacle, Ambrosio wanted to rival the Itala and Cinès studios, producers of the Tontolini and Cretinetti characters, two new heroes of burlesque from Turin.

Hoping to become a success, Ambrosio hired both Marcel Fabre to incarnate Tweedledum, and Luigi Maggi, a young director, to whom we notably owe the first version of the famous Last Days of Pompeii, in 1908.

With nearly a hundred films, Tweedledum was the incarnation of Italian burlesque. The gags are sometimes physically violent and rely particularly on falls, fights and chases, scenes that we take pleasure in rediscovering in Robinet aviatore.