Schutzmannlied aus Donnerwetter-Tadellos! - 1908

(The Traffic Policeman Song)
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ABOUT THE FILM : Schutzmannlied aus Donnerwetter-Tadellos!

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Schutzmannlied aus Donnerwetter-Tadellos!
The Traffic Policeman Song
Year: 1908

A chubby police officer waddles into a cabaret scene.  He sings the Schutzmannlied, a tune that makes fun of the self-importance of the Berlin police and its folly.  That’s what he has in his head, the po-po-police officer! And he puts his heart into his work! Oh yes! And gallant with all that!… In a row behind him, his uniformed colleagues accompany him while dancing like in a real music hall show.

This scene is part of Donnerwetter Tadellos!, an extravaganza that was a phenomenal success in Berlin at the beginning of the 20th century.

Director: Anonymous
Nationality: German
Actor: Henry Bender
Length: 3' 13"
Genre: music
Sound: sound
Original elements: black & white
Producer: Deutsche Mutoscope and Biograph GmbH
Composer: Paul Lincke
Original language: German

A BRIEF HISTORY : Schutzmannlied aus Donnerwetter-Tadellos!

Year : 1908

The Metropol-Theater, situated Unter den Linden, was famous for its extravaganzas that were all the rage among Berlin society from 1903 to 1913. Since its opening in 1898, a number of musical and showbiz talents started out at the Metropol-Theater alongside established artists like composer Paul Lincke (1866-1946) or Fritzy Massari (1882-1969), an operetta singer headlining the Metropol. Every year in September a new creation was performed and the Berlin elite hurried to these satiric cabarets, whose main theme was Berlin by night in all its versions.  The First World War put an end to the extravaganzas in 1914 but not to the Metropol-Theater, which resumed its activities after the war with operetta shows, until it went bankrupt in 1927.

 

Schutzmannlied was part of the 1908 extravaganza entitled Donnerwetter-Tadellos! The film introduced comedian Henry Bender (1867-1933) for the first time on screen, who became a known actor of German cinema until the end of the 1930’s, successfully overcoming the often fateful transition to talking pictures.

 

This sound film initially recorded with sound-on-disc was for a long time shown as silent, the original disc having been lost.  The recent discovery and the synchronisation of a recording of the age by music historian Christian Zwarg allow as much as possible the film to be presented in its original version, and finally to see and hear Henry Bender as a "Po-Po-Policeman".

 

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